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Ayre V-1 Power Amp

Status & Appearance:

Used Good

Original price was: $7,500.00.Current price is: $3,750.00.

Description

The Ayre V-1 was the Boulder, Colorado company’s first power amplifier and quickly established Ayre as a serious force in high-end solid-state audio. Introduced in the late 1990s, the V-1 took an unconventional approach to amplifier design, using a fully balanced, zero-negative-feedback circuit rather than the heavy feedback commonly employed in powerful solid-state amplifiers. The result was a 200-watt-per-channel amplifier with a distinctly fluid, natural presentation that challenged conventional expectations of transistor amplification. Ayre itself describes the original V-1 as having “set a new industry standard” with fully balanced circuitry and no negative feedback.

At the heart of the V-1 is a simple, direct signal path built around individually tested and matched transistors. The output stage uses 64 MOSFETs—32 per channel—giving the amplifier considerable current capability. A massive toroidal transformer and dual-stage choke-input power supply provide the energy storage necessary for demanding musical peaks, while the choke arrangement also helps reduce radio-frequency interference. The amplifier was designed without a conventional rectifier bridge, instead using discrete rectifiers selected for high-speed operation.

Rated at 200 watts per channel into 8 ohms and 400 watts into 4 ohms, the V-1 is capable of driving a wide variety of loudspeakers. Its fully balanced architecture makes it particularly well suited to a balanced preamplifier, although RCA single-ended inputs are also provided. In his influential 1999 Stereophile review, Michael Fremer found that the amplifier came alive when driven balanced, while single-ended operation produced a noticeably less energetic presentation.

The V-1’s greatest strength is its midrange. Fremer described its sound as having a “rich, palpable, three-dimensional midrange” and praised its extraordinary liquidity and ease. He found vocals and acoustic instruments unusually convincing, with a natural combination of harmonic texture, space and dimensionality.

Bass performance is powerful and extended, although the V-1 does not have the extremely tight, iron-fisted bass character associated with some competing solid-state designs. The treble is similarly smooth and grain-free rather than aggressively analytical. Fremer ultimately characterized the amplifier as exceptionally relaxed and fluid, saying that it could appeal even to dedicated tube enthusiasts.

Other reviewers reached similarly enthusiastic conclusions. SoundStage! praised the V-1’s ability to combine powerful bass, delicate highs and substantial loudspeaker-driving capability, calling its sonic character refreshingly different from conventional amplifier reference points. The reviewer concluded that it offered an unusually good balance of high-power solid-state performance and refinement.

The original V-1 remains an important vintage high-end amplifier, particularly for listeners who value musicality over clinical precision. Its 95-pound chassis, substantial power supply and distinctive zero-feedback topology make it a landmark Ayre design and a compelling choice for systems where dimensionality, tonal richness and long-term listening enjoyment are priorities.

Product Specifications

  • Type: Stereo solid-state power amplifier
  • Design: Fully balanced, zero-negative-feedback
  • Output power: 200 watts/ch. into 8 ohms
  • Output power: 400 watts/ch. into 4 ohms
  • Voltage gain: 26dB
  • Output devices: 64 MOSFETs; 32 per channel
  • Input impedance: 20k ohms balanced; 10k ohms unbalanced
  • Inputs: Balanced XLR and single-ended RCA
  • Output: Dual Cardas speaker-terminal sets for bi-wiring
  • Power supply: Large toroidal transformer with two-stage choke-input filtering
  • Frequency response: Extremely wide bandwidth; approximately 1Hz–100kHz for later XE specification
  • Dimensions: Approximately 18″W × 7″H × 18″D
  • Weight: Approximately 95 lb.
  • Original price: $7,500
  • Era: Introduced in the late 1990s
  • Notable design: Fully balanced signal path with no global negative feedback
  • Manufacturer: Ayre Acoustics, Boulder, Colorado
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